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Music Business Journal

Berklee College of Music

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Tag: Sampling

Posted on01/28/201601/31/2016

Compromising Moral Rights

Copyright law is based on property law. It evolved over time and recognized more and more economic rights, such as those of music creators to…

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Posted on04/26/201504/26/2015

Sampling Without A License

Sampling has been controversial from the very start. Supporters of the practice argue that artists sample songs they love and build on them to create their…

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Posted on03/12/201503/14/2015

Fair Use: A Manual

Fair use has always been a contentious concept. A great number of musicians, as well as artists of other varieties, include copyrighted material in their…

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Posted on05/09/201405/09/2014

Copyright and Common Sense

In May of 1787, the top political figures of a fledgling United States met in Philadelphia to draft a Constitution. They judged artistic expression and…

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Posted on04/08/201404/08/2014

Rumblings in the U.S. Copyright Frontier

On March 20, 2013, following an address at Columbia Law School entitled “The Next Great Copyright Act”, U.S. Register of Copyrights Maria Pallante appeared before…

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Posted on12/27/201004/06/2011

Mash-Ups & Fair Use: Girl Talk

With the development of digital music in the mid-1990s, the act of sampling became very popular and is now a fundamental element for musical styles like Rap and Hip-hop.

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Mission Statement

The Music Business Journal, published at Berklee College of Music, is a student publication that serves as a forum for intellectual discussion and research into the various aspects of the music business. The goal is to inform and educate aspiring music professionals, connect them with the industry, and raise the academic level and interest inside and outside the Berklee Community.
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