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Music Business Journal

Berklee College of Music

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Tag: Copyright Law

Posted on03/02/202003/02/2020

Music Creators Comprehension of Copyright

By Scott M. Huff Introduction It has been said, “it all starts with a song.” Anyone in the music business would agree that a musical…

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Posted on08/17/201608/17/2016

Brexit and the Music Industry

On June 23rd 2016, the U.K. voted in favor of leaving the European Union. The referendum put the majority at 52%, with England and Wales in…

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Posted on06/14/201606/16/2016

The Drama of Artist Payments

In recent times, artists/songwriters, who once made their living recording and writing songs, have been severely affected by the slump in royalty revenue coming from…

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Posted on01/28/201601/31/2016

Compromising Moral Rights

Copyright law is based on property law. It evolved over time and recognized more and more economic rights, such as those of music creators to…

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Posted on01/28/201608/31/2016

The Lesson of Blurred Lines

In November, Robin Thicke and Pharrell Williams were ordered to pay $5.3 million to the Marvin Gaye estate for infringing Gaye’s Got To Give it…

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Posted on03/12/201503/14/2015

Post-1978 Copyright Reversions

2013 marked the first year that sound recording and musical composition copyrights could revert from labels and publishers, respectively, to artists and songwriters. The Copyright…

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Posted on03/12/201503/14/2015

Fair Use: A Manual

Fair use has always been a contentious concept. A great number of musicians, as well as artists of other varieties, include copyrighted material in their…

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Posted on10/24/201410/26/2014

Artist Progress, Pre-1972

U.S. copyright law currently has an odd loophole that limits federal protection for sound recordings to those made on or after February 15, 1972. This…

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Posted on07/25/201207/25/2012

Clear Channel’s Giant Step

The largest broadcasting group for radio in the US is Clear Channel Communications, and much of its holdings are in terrestrial radio.  It recently struck…

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Mission Statement

The Music Business Journal, published at Berklee College of Music, is a student publication that serves as a forum for intellectual discussion and research into the various aspects of the music business. The goal is to inform and educate aspiring music professionals, connect them with the industry, and raise the academic level and interest inside and outside the Berklee Community.
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