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Music Business Journal

Music Business Journal

Berklee College of Music

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Category: Streaming

Posted on06/28/202306/28/2023

Digitization and Globalization: Where is the African Music Industry?

Over the last couple of decades, advancements in the entertainment industry have fundamentally changed both society’s perceived value of the arts, and the ways in…

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Posted on04/13/202304/15/2023

Big Data and Independent Artists: Insights from Brazilian Funk and Sertanejo

In the early 2010s, the concept of being an ‘independent artist’ boomed, with many artists relieving themselves from the commercial expectations that came with being…

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Posted on03/30/202304/13/2023

The New Model of Artist Remuneration: Opportunities in the Fan-Powered Royalties Model

The vast majority of music streaming platforms today pay artists on a pro-rata model. This is a system that pools money generated by the service,…

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Posted on07/18/202207/18/2022

SoundOn: How TikTok Got into the Music Distribution Industry and How They Can Shake It Up

Today, countless independent music distributors offer artists the means to place their music on streaming platforms while equipping them with various promotional tools to track…

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Posted on02/18/202202/18/2022

Neil Young vs. Joe Rogan: Spotify’s Stance and Its Implications for Artists Everywhere

On January 24, Neil Young penned a letter to his label and manager regarding the spread of misinformation regarding Covid-19 perpetuated by America’s number one…

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Mission Statement

The Music Business Journal, published at Berklee College of Music, is a student publication that serves as a forum for intellectual discussion and research into the various aspects of the music business. The goal is to inform and educate aspiring music professionals, connect them with the industry, and raise the academic level and interest inside and outside the Berklee Community.
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