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Berklee College of Music

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Author: The MBJ

Posted on03/02/202003/02/2020

When Reflection Excludes: A History of Discrimination in the Grammys

By Ava Roche What Does “Urban” Even Mean? In a post-award show press conference, Tyler, the Creator – who had just won his first Grammy…

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Posted on03/02/202003/02/2020

Music Creators Comprehension of Copyright

By Scott M. Huff Introduction It has been said, “it all starts with a song.” Anyone in the music business would agree that a musical…

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Posted on03/02/202003/02/2020

An Essay In The Meanings, Business, Culture, And Future Of Music….

By Dr. Bill Banfield Berklee College of Music Professor Todd and his crew at the Music Business Journal asked that I share some thoughts, culled…

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Posted on03/02/202003/02/2020

Ageism in the Music Industry: Does Success Have an Expiration Date?

By Claire Donzelli We are constantly bombarded with stories of musicians who achieved success early in life. The legendary Stevie Wonder signed with Motown records…

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Posted on12/13/201912/13/2019

Kanye West’s New Christian Era

By Felipe Ramos Kanye West’s much anticipated ninth studio album, Jesus is King (Def Jam/GOOD),has arrived. The album developed from his Sunday Service concerts, which…

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Posted on11/24/201911/24/2019

Blood Sweat & Tears: A Closer Look at the K-Pop Phenomenon

By Ava Roche The “Korean Wave” “Hallyu,” or the “Korean Wave,” is the term used to describe the spread of South Korean popular culture and…

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Posted on11/24/201911/24/2019

In Hindsight: The Music Modernization Act

By Emilia Walasik & the MBJ Editorial Staff Introduction On October 11, 2018, the Music Modernization Act (MMA) was officially signed into law. Musicians, songwriters,…

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Posted on11/24/201911/24/2019

Berklee Strikes for Climate Action

By Sierra Cornell On September 20th, millions of students all over the world walked out of their schools in protest over the future of the planet.…

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Posted on11/24/201911/24/2019

Music Licensing in 2019: The US Department of Justice Reviews the Rules

By David O. Hartman The relationship between the creators of music and the businesses that use it for their com-mercial purposes has been contentious since…

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Posted on11/24/201911/24/2019

Music Industry Moguls Speak at Berklee Hip-Hop Symposium

By Alice Macedo & the MBJ Editorial Staff Imparting Wisdom “I don’t want to be in the music business anymore, I want to be in…

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Posted on09/23/201909/23/2019

Copyright Infringement Liability in the Music Industry

By Camran Ferrier Introduction In our digital age, companies that distribute and host content online run into constant conflictions with copyright infringement. Difficult questions arise:…

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Posted on09/23/201909/23/2019

Breakdown: Music Streaming Monetization Flow

By: Ava Roche and Samuel Smith Introduction Since their introduction, streaming services have grown to become the primary platform for music consumption within the North…

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Posted on09/23/201909/23/2019

The Role of Data Metrics for Independent Artists

By: Carter Wilson Introduction Since the rise of social media and other online platforms like YouTube and Facebook, artists have been able to reach their…

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Posted on09/23/201909/23/2019

Moral Rights and the Use of Popular Music in Political Campaigns

By: Ashley Cook Moral rights in the context of music are the legislation that protects the right of attribution, right of anonymity, and the right…

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Mission Statement

The Music Business Journal, published at Berklee College of Music, is a student publication that serves as a forum for intellectual discussion and research into the various aspects of the music business. The goal is to inform and educate aspiring music professionals, connect them with the industry, and raise the academic level and interest inside and outside the Berklee Community.
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