by

Harnessing the “Harlem Shake”

Harnessing the “Harlem Shake”

Baauer’s “Harlem Shake” was the first single by an unknown artist to...

by

The Copyleft Tradition

The Copyleft Tradition

In past years, music has firmly established itself as a free good in the minds...

by

Music Startups and the Licensing Drag

Music Startups and the Licensing Drag

It is surprising that, to date, most of the conversation around the music...

by

The Battle Over U.S. Intellectual Property Costs

The Battle Over U.S. Intellectual Property Costs

New music media companies are trying to lower intellectual property costs. ...

by

Copyright Inefficiency

Copyright Inefficiency

Allowing others the freedom to sample and remix a musician’s work can be a...

by

Copyright Efficiency

Copyright Efficiency

It is true that in recent years technology has been challenging the...

by

ISP Takedown Notices

ISP Takedown Notices

‘Graduated response plans’ are geared towards fighting illegal...

by

IMR’s Scoping Report

IMR’s Scoping Report

At the end of February, WIPO and its International Music Registry group (IMR)...

by

Spotting Revenue: TuneSat’s Chris Woods

Spotting Revenue: TuneSat’s Chris Woods

Chris Woods is the cofounder and COO of TuneSat.  Since launching in 2009,...

by

Kim Dotcom

Kim Dotcom

In Hollywood, they call him Dr. Evil.  According to the U.S. Department of...

Page 1 of 3123