Music Business Journal

Music Business Journal

Berklee College of Music

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Music Licensing in 2019: The US Department of Justice Reviews the Rules

By David O. Hartman The relationship between the creators of music and the businesses that use it for their com-mercial purposes has been contentious since…

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Music Industry Moguls Speak at Berklee Hip-Hop Symposium

By Alice Macedo & the MBJ Editorial Staff Imparting Wisdom “I don’t want to be in the music business anymore, I want to be in…

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Copyright Infringement Liability in the Music Industry

By Camran Ferrier Introduction In our digital age, companies that distribute and host content online run into constant conflictions with copyright infringement. Difficult questions arise:…

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Breakdown: Music Streaming Monetization Flow

By: Ava Roche and Samuel Smith Introduction Since their introduction, streaming services have grown to become the primary platform for music consumption within the North…

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The Role of Data Metrics for Independent Artists

By: Carter Wilson Introduction Since the rise of social media and other online platforms like YouTube and Facebook, artists have been able to reach their…

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Moral Rights and the Use of Popular Music in Political Campaigns

By: Ashley Cook Moral rights in the context of music are the legislation that protects the right of attribution, right of anonymity, and the right…

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Generation Z Re-Defining the Business of Music

By: Alyssa Golden Introduction             Consumer commerce has long emphasized marketing to millennials due to the peak of purchasing power this young demographic has reached;…

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MUBUTV Case Study: Advice from Industry Leaders

By: Kaley Bonnet The music business is a fleeting industry. The minute we feel as if we’ve grasped the latest trend, another arises. This presents…

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Music & Refugees: Improving Lives in the State of Uncertainty

By: Daniel Pines An Introduction to the World of the Refugees             Almost two years ago I took a trip to Greece with three of…

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Dissecting the Consumption of Music in Brazil

Introduction             In a country that occupies 48% of South America geographically  and boasts the tenth largest music market in the world,  it is a…

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The Future of Music: An Interview with Zach Katz

By: Alan Milstein The following transcript is taken from an interview conducted by Berklee student Alan Milstein and industry veteran, Zach Katz.  Zach talks about…

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The Future of Music Licensing

By: Camran Ferrier When you need to use a piece of music that you do not own the rights to, it usually means that you…

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No, Spotify Isn’t Suing Songwriters

By: Ava Roche Introduction Earlier this year, musicians and media outlets alike were sent into a frenzy when the headline ‘Spotify is Suing Songwriters’ started…

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Tuning Brexit: The Departure’s Reverb on the UK Music Industry

By: Adiana Delavega Introduction             It was the summer of 2016, and Britain was shouldering heat featured by a quickly changing climate and a bewildering…

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Mission Statement

The Music Business Journal, published at Berklee College of Music, is a student publication that serves as a forum for intellectual discussion and research into the various aspects of the music business. The goal is to inform and educate aspiring music professionals, connect them with the industry, and raise the academic level and interest inside and outside the Berklee Community.

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